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Here are some questions that can guide the approach to the texts and the issues addressed in completed so far: General

define and point out the differences between plan and decision. Set

frame and mention your main features.

Explain the concepts of architectural space, Painting and Film by Eric Rohmer. Exemplifies. Set

film space. Audio visual dimension and size of its conformation.
Explain how and by what elements the film space can have an expressive function or become a significant dimension in a film? Therefor. Exemplifies.

Bordwell What do you mean by a film? Explain how the sub-features that distinguish it and its components.

What does that tells how? Develop.

Develop the concept of stylistic form . What is its significance and how it affects a visual story?

Explain the concepts associated with the following sentence: "... we understand film form the global system that we can perceive relations between the elements of an entire film. The overall pattern of relationships between narrative elements and subsystems Stylistic is what shapes the form of a film. "

Explain and develop the concepts associated with the following sentence:
"Framing significant long-hide" by Jean-Louis Comolli. Explain

and develop the concepts associated with the following sentence:
"See the people and things in their separate parts. Isolating those parts. become independent to impose a new unit" by Robert Bresson.

Explain and develop the concepts associated with the following sentence:
"translate the invisible wind by the water carves its path." (Linked to the concept of film time as significant dimension in the art audiovisual)

"Over time what elements becomes sensitive film or may have an expressive role in a film? Exemplifies.

Identify and explain

operation of the main stylistic elements in some of the fragments analyzed in class: eg. Stalker , Gerry , Paranoid Park, 12 miles to Trona , etc.

concept narrative point of view, optical or visual point of listening.

What is the aesthetic? Develop

clearly the aesthetic of your final video. Illustrate with at least two situations presented in the project folder. List references and substantiate your choice. Explain

stylistic criteria by which develops planning your video final (spatial construction, temporary construction, assembly, staging). Name at least two examples in the project folder. Tarkovsky

Explain and list the following items-Pressure-Strain Rate by Andrei Tarkovsky.

How did the pace in a film by Andrei Tarkovsky and what are its expressive possibilities? Founded and developed.

What is called time pressure in a plane-by Andrei Tarkovsky, and what are its expressive possibilities? Founded and developed.

Explain why Andrei Tarkovsky considers the film time as a significant dimension.

Explain and compare the concepts developed assembly D. Bordwell and A. Tarkovsky. Chion

Explain the differences between acousmatic sound and displayed.

Develop the concepts of sound in, off and off-field as Chion.

Explain the concepts of the second tricírculo of Chion. Burch

Explain each of the 3 spatial relationships between level A and level B according to Burch. Illustrate each.

Explain each of the 5 temporal relationships between level A and level B according to Burch. Illustrate each. Set

découpage according Burch. Define planning. Explain why planning is composing. Develop and substantiate.

"Decoupage? Planning? What differences involve positioning from the perspective of development and visual language? Set

raccord. List and explain the types of raccord. Set

ellipses. Explain their types and exemplify each. Set

field and off field.

Explain and develop ways in which the director may establish the off-field. List your limits or segments according to Burch. Bordwell

Develop the central theme of action according to Bordwell. Develop

Mount theme continued as Bordwell. Explain and exemplify the main features.

What are the four mounting relationship between a plane A and plane B as Bordwell? Develop each. Explain

graphic relationships between planes as Bordwell.
exemplifies

What is the effect Kulechov? (In its two aspects)